Follow Artist selection process, Palace told - INQUIRER.net, Philippine News for Filipinos

Follow Artist selection process, Palace told - INQUIRER.net, Philippine News for Filipinos

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TWENTY-FIVE LANDMARK PLAYS OF PHILIPPINE THEATER

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“OROSMAN at Zafira,” the 2008 reimagined dance theater production directed by Dexter Santos for Dulaang UP, based on the original text by Francisco Baltazar. Deviating from the standard komedya where the conflict is between theMoros and the Cristianos, this verse play is about warring kingdoms in the Middle East. A recent list by Entertainment Weekly of the best plays of the last 100 years prompted a timely question from the Script Analysis class I am conducting for the Tanghalang Pilipino Actors Company: Why is there no such list for Philippine theater? As a response, I hereby proffer a list of what I believe to be a representative sampling of 25 plays that can be considered as landmarks of Philippine theater. The list is arranged chronologically, and includes plays which were and are considered to have broken ground in local theater history, and/or plays which best represent particular theater movements or dramatic styles. I do not offer this as a definitive list, but
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"HUBAD" and "THE PALANCA IN MY MIND" return for the Virgin Labfest

Two of the outstanding productions featured in last year's Virgin Labfest 2 return for a limited run in the 2007 Virgin Labfest 3, the annual festival of untried, untested, unpublished and unstaged plays. Writing about these plays, the Philippine Daily Inquirer's Gibbs Cadiz wrote that Job Pagsibigan’s “The Palanca in My Mind” directed Roobak Valle Valle "offered a diverting (if sitcom-ish) stab at the stuffed, geriatric image of the Palanca Awards, the country’s premier literary competition." Heading the cast is Wenah Nagales, who "virtually gobbled up the scenery as the starry-eyed writer Dory, supported by a shape-shifting cast of talented Tanghalang Pilipino actors." "Hubad" features Irma Adlawan and Nonie Buencamino who play a husband and wife who’ve taken to playing sexual games to spice up their marriage. According to Cadiz, the two actors "were a wonder to watch—nothing less than master classes on the use of body, voice, mind and exper
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Susan Valdez is in town

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SUSAN VALDEZ, the actress most famous for her role in Mike de Leon's "Itim", is in town for a short visit, her first after moving to New York in 1985. We met up last Saturday after the one-night performance of ART at the Music Museum, and together with Raquel Villavicencio, Gina Alajar, Rez Cortez, Bembol Roco, and for a brief while, Ricky Davao and Mark Gil, reminisced about all the productions and film projects done in the past and good naturedly ribbed her about what the future might hold for her if she decides to come back for good. I had the glorious fortune of working with Susan on a number of plays (that's us above flanking Barbara Perez, together with Tony Mabesa, Cris Michelena and Sonia Valenciano inBehn Cervantes' 1982 production of "Larawan" for UP Repertory, which we even toured to Cagayan and the Visayas) that included "Peer Gynt", "Hedda Gabler/A Doll's House", and Chris Millado's "Intermedyo" where s
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