"To remember and to sing, that is my vocation."
BITOY CAMACHO, in Nick Joaquin's PORTRAIT OF AN ARTIST AS FILIPINO
VOX POPULI DAY 2 PHOTOS
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Some photos from the 2nd shooting day of VOX POPULI, one of ten finalists in the New Breed category of the 2010 CINEMALAYA Philippine Independent Film Festival.
“OROSMAN at Zafira,” the 2008 reimagined dance theater production directed by Dexter Santos for Dulaang UP, based on the original text by Francisco Baltazar. Deviating from the standard komedya where the conflict is between theMoros and the Cristianos, this verse play is about warring kingdoms in the Middle East. A recent list by Entertainment Weekly of the best plays of the last 100 years prompted a timely question from the Script Analysis class I am conducting for the Tanghalang Pilipino Actors Company: Why is there no such list for Philippine theater? As a response, I hereby proffer a list of what I believe to be a representative sampling of 25 plays that can be considered as landmarks of Philippine theater. The list is arranged chronologically, and includes plays which were and are considered to have broken ground in local theater history, and/or plays which best represent particular theater movements or dramatic styles. I do not offer this as a definitive list, but...
SUSAN VALDEZ, the actress most famous for her role in Mike de Leon's "Itim", is in town for a short visit, her first after moving to New York in 1985. We met up last Saturday after the one-night performance of ART at the Music Museum, and together with Raquel Villavicencio, Gina Alajar, Rez Cortez, Bembol Roco, and for a brief while, Ricky Davao and Mark Gil, reminisced about all the productions and film projects done in the past and good naturedly ribbed her about what the future might hold for her if she decides to come back for good. I had the glorious fortune of working with Susan on a number of plays (that's us above flanking Barbara Perez, together with Tony Mabesa, Cris Michelena and Sonia Valenciano inBehn Cervantes' 1982 production of "Larawan" for UP Repertory, which we even toured to Cagayan and the Visayas) that included "Peer Gynt", "Hedda Gabler/A Doll's House", and Chris Millado's "Intermedyo" where s...
Note: DULAANG UNIBERSIDAD NG PILIPINAS (or Dulaang U.P.) is now presenting its 40 th Season. Founding Artistic Director Tony Mabesa, who directed its first play in 1976, is now directing King Lear/Haring Lear, opening on Wednesday, 7 October 2015. He has announced that the production will be his last for Dulaang U.P. as a director . Upon his return to the Philippines in 1975 after studying and teaching in the United States, Antonio O. Mabesa initiated the formation of a campus-based theater season at the University of the Philippines. With the help of Dr. Leticia H. Tison, then Chair of the Department of Speech and Drama, the first season of Dulaang Unibersidad ng Pilipinas, or Dulaang U.P. as it has come to be known, was launched in 1976 with the production of Shakespeare’s “ Much Ado About Nothing ”, translated into Filipino by Lilia Antonio as “ Pagkahaba-haba man ng Prusisyon ”, at the Abelardo Theater. The next production in the opening season...
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