A Life in the Theater

Many things will be said about Mario O'Hara and his myriad contributions to Philippine theater and cinema. But in my memory, it will always be his humble and giving ways that will be etched forever. He notoriously took public transportation and walked to and from rehearsals in CCP,and was infamously averse to press gatherings and public functions, particularly the showbiz kind. I knew his brother Jerry before I met Mario, and by the time we were introduced in the late 80s, he had already made a name for himself as a writer, actor, and director in radio, theater, and film. His generosity as an artist and as a person was well known, and I have had several chances to see this first hand. In the late 80s, Tanghalang Pilipino was staging Ang Ginintuang Bayan, and Mario was playing one of the leading roles, along with Nonie Buencamino and Pen Medina, among others. Nonie's wife, Shamaine, was due to give birth anytime soon, and he had promised to be by...

Every fan has his anecdote about one's favorite actor, and I have one about Mario O'Hara. Many moons ago when I was a Technical Director for the Cultural Center of the Philippines and assigned to oversee Tanghalang Pilipino's production of Shusaku Endo's Ang Ginintuang Bayan, then TP Artistic Director Nonon Padilla and the play's director Jonas Sebastian asked me to understudy the part being played by Nonie Buencamino in the production. Nonie's wife Shamaine was due to give birth anytime during the course of the production, and since the couple were prepared to deliver the baby through lamaze, Nonie just had to be with his wife when she did. Hence, the need for an understudy. Since the most part of my acting career had been made up of filling in for other actors at the last minute, I had the temerity to accept the assignment. Memorizing the lines and the blocking came rather easy for me since I had been watching the rehearsals for quite some time by then anyway....

Entertainment Tukso: A whodunit Rashomon STARBYTES By Butch Francisco Thursday, October 4, 2007 The truth told in different versions — as popularized by best foreign film winner Rashomon — is still alive and well in Philippine cinema. This device was previously used in Laurice Guillen’s Salome in 1981 and in Chito Roño’s Itanong Mo sa Buwan in 1988. Both films won Best Picture in the Gawad Urian. In Dennis Marasigan’s Tukso, which is currently showing in Robinsons Galleria’s IndieSine, the story is also told from various perspectives. Winner of Cinemalaya’s Best Screenplay award, the film gives the viewer the task of finding out who and how a barrio lass named Monica (Diana Malahay) is killed. Tukso is basically a whodunit Rashomon and we are presented with different suspects: Suspect No. 1 is Carlo (Sid Lucero), a fresh architecture graduate who is assigned to the province to design and supervise the construction of a local subdivision. He meets Monica and they become intimate in spi...