Peta and Rep turn 50: Why it’s also a golden moment for PH theater
Representing the two major streams of contemporary Filipino drama, they broke ground and changed the scene for good—and for the better (Published in the Philippine Daily Inquirer, 1 April 2017. Also in http://lifestyle.inquirer.net/258785/peta-rep-turn-50-also-golden-moment-ph-theater/ ) Sometime in the first few months of 1967, Carmen “Baby” Barredo received a telephone call from her former classmate Cecile Guidote: Would Baby be willing to join in a new theater company that was being formed, envisioned to be the National Theater and which would be called the Philippine Educational Theater Association (Peta)? Baby politely declined, as she had previously committed to help Zeneida “Bibot” Amador establish what was intended to be the first professional theater company presenting a regular season of plays in the country. That company would be known as Repertory Philippines (Rep). As they say, the rest is history. Both Peta and Rep presented their inaugural productions th...