A Life in the Theater

Representing the two major streams of contemporary Filipino drama, they broke ground and changed the scene for good—and for the better (Published in the Philippine Daily Inquirer, 1 April 2017. Also in http://lifestyle.inquirer.net/258785/peta-rep-turn-50-also-golden-moment-ph-theater/ ) Sometime in the first few months of 1967, Carmen “Baby” Barredo received a telephone call from her former classmate Cecile Guidote: Would Baby be willing to join in a new theater company that was being formed, envisioned to be the National Theater and which would be called the Philippine Educational Theater Association (Peta)? Baby politely declined, as she had previously committed to help Zeneida “Bibot” Amador establish what was intended to be the first professional theater company presenting a regular season of plays in the country. That company would be known as Repertory Philippines (Rep). As they say, the rest is history. Both Peta and Rep presented their inaugural productions th...

Note: DULAANG UNIBERSIDAD NG PILIPINAS (or Dulaang U.P.) is now presenting its 40 th Season.  Founding Artistic Director Tony Mabesa, who directed its first play in 1976, is now directing King Lear/Haring Lear, opening on Wednesday, 7 October 2015.  He has announced that the production will be his last for Dulaang U.P. as a director . Upon his return to the Philippines in 1975 after studying and teaching in the United States, Antonio O. Mabesa initiated the formation of a campus-based theater season at the University of the Philippines.  With the help of Dr. Leticia H. Tison, then Chair of the Department of Speech and Drama, the first season of Dulaang Unibersidad ng Pilipinas, or Dulaang U.P. as it has come to be known, was launched in 1976 with the production of Shakespeare’s “ Much Ado About Nothing ”, translated into Filipino by Lilia Antonio as “ Pagkahaba-haba man ng Prusisyon ”, at the Abelardo Theater.   The next production in the opening season...

" We were told that it showed that we were having fun. I was pretty darn glad to hear that. Some people couldn't believe we managed to pull off a full-length 3-act play. But we made it happen." While I have to confess I enjoyed reading the entire blog post of Christine Hogi Cadlum, about her experience in the Rehearsal and Performance Techniques workshop that was part of the 2015 Tanghalang Pilipino Summer Theater Adventure at the CCP, I have to assert that it was more because I share with her the joy and pride she experienced with her classmates, who I all consider as fellow learners.  For her complete post, here is the link:  http://simply-tymeless.blogspot.com/2015/05/push-rehearsal-and-performance.html?spref=fb

“OROSMAN at Zafira,” the 2008 reimagined dance theater production directed by Dexter Santos for Dulaang UP, based on the original text by Francisco Baltazar. Deviating from the standard komedya where the conflict is between theMoros and the Cristianos, this verse play is about warring kingdoms in the Middle East. A recent list by Entertainment Weekly of the best plays of the last 100 years prompted a timely question from the Script Analysis class I am conducting for the Tanghalang Pilipino Actors Company: Why is there no such list for Philippine theater? As a response, I hereby proffer a list of what I believe to be a representative sampling of 25 plays that can be considered as landmarks of Philippine theater. The list is arranged chronologically, and includes plays which were and are considered to have broken ground in local theater history, and/or plays which best represent particular theater movements or dramatic styles. I do not offer this as a definitive list, but...

Every year, the Virgin Labfest assembles an outstanding assortment of DIRECTORS and PERFORMERS, coming from various groups and persuasion, brought together by a shared desire to do theater. I have always been awed by the suprises I find in the Labfest, and I should like to think that the playwrights whose works are being performed for the first time as well as the audiences that watch the performances should only be too eager to rush to the CCP from June 25 to July 6, 2014. The names of the playwrights are in all of the posters and collaterals, but those who will be trooping to the Cultural Center of the Philippines for the Virgin Labfest 10:The Harvest will also be seeing the works of any of the following Directors and Actors.     DIRECTORS JK Anicoche  Emman Dela Cruz  Law Fajardo  Audie Gemora  Rolando Inocencio  Jenny Jamora  Ed Lacson Jr.  Melvin Lee  Joshua Lim So   Dennis Marasigan  Chris Martinez ...

2013 began with a chance to direct for the 2nd Unit of GMA Network's television series INDIO and, looking back, I am thankful for all the opportunities to undertake creative work as varied as what I did in the year just past. My sincerest gratit ude to all those who entrusted me and journeyed with me in these projects: Theater/Dance: VIRGIN LABFEST 9 FELLOWSHIP STAGE READING VIRGIN LABFEST 9/10 PLAYWRITING FELLOWS STAGE READING ANG BUHAY AY PELIKULA EURIDICE A CHRISTMAS CAROL Television: INDIO PARTY PILIPINAS TEEN GEN 50 YEARS WITH THE MASTER SHOWMAN LOVE AND LIES GOT TO BELIEVE TITSER MARIA MERCEDES BUBBLE GANG 18TH ANNIVERSARY ADARNA AKIN PA RIN ANG BUKAS MAGPAKAILANMAN Film: GAYDAR CATTLEYA 10000 HOURS AUDIO VISUAL PRODUCTIONS : MERALCO BANK OF THE PHILIPPINE ISLANDS Corporate/Events: PNB/ALLIED BANK APPRECIATION PARTY KALAP FESTIVAL 3M AUTO TINT OFF 2013: MASTER TINTERO SURVIVOR CHALLENGE 3 2013 MUTYA NG CORON  KUMON GOOD...